Kaleidoscope has 4 tracks, each with its own timbre. You can arrange a whole ensemble: drums, basses, leads, strings, percussion, drones, noises and more....
If you place the same timbres on all tracks, you will get a classic polyphonic synthesizer.
Use methods of:
- subtractive synthesis
- additive synthesis
- physical modeling synthesis
- FM synthesis
Kaleidoscope has on each track:
- complex oscillator for creating huge variety of waveforms
- wavefolder
- hardsync
- filter with resonance
- comb filter
- overdrive
- FM mixer-router
- audio mixer-router
Generative sequencer
Kaleidoscope has a built-in generative sequencer for creating rhythmic and parametric patterns. It is based on functional methods for creating control signals and triggers. Such a sequencer works as an add-on to the control system and does not conflict with external sequencers. The generative sequencer can be used to create rhythmic patterns and parametric arpeggios.
Modulation matrix
Almost all synthesizers on the market have a two-dimensional modulation matrix. You select only one parameter for the modulator (envelope or LFO) from several available track parameters. Kaleidoscope has a three-dimensional modulation matrix. You select not only the parameter for the modulator, but also the track on which this parameter is located.
You can combine modulators in any way.
- Assign several modulators to one parameter.
- Modulate the duration of envelopes or a pattern.
- Create feedbacks. Negative feedbacks stabilize the behavior. Positive feedbacks, on the contrary, shake it up and turn it into chaos.
In Kaleidoscope, you modulate not only the timbre parameters, but also the dynamics of this modulation. This opens up a new dimension for sound exploration.
Such possibilities can be found in the world of modulars, but not in the world of standalone synthesizers.
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