Have to disagree with Marti re this:
They are as good as you're going to get before true touch sensitivity hit the market. On these older synths "touch" is a bit like playing on top of cold mashed potatoes.
Maybe his M6 is trashed. It's truly touch sensitive & the build quality of the M6 keyboard is better than most nowadays, imho. Crucial to keyboard feel is matching the firmware scaling to the keyboard break/make contact float time & Oberheim did a good job with the M6. Velocity sensing feels smooth, even, controllable. Same for aftertouch. This may sound like heresy but for me the levers work better than wheels for bends/mods. Wore out the M6 pitchbend pot, but have done that with several synths, so not a knock on the M6. Seem to recall that the M6 does NOT have the usual diode center detent deadband, which is nice for fine pitch control, but touchy when the pot starts to wear out. So it needs to be replaced after a while. Think M6 shows the scratchy bend pot / pitch instabilty problem before other synths because of this, but it makes the M6 real expressive to play. Fair trade, imho.
Also, M6 has release velocity & the mod lever can control 2 different parms up&down. No knobs for in-performance tweaking, but it should take a few years practice anyway to master your bend/mod lever, attack+release velocity, & mono aftertouch technique ...
Btw, Matrix 1000 patches are out there & can be downloaded to the M6 OK, but there's a bug where the names of downloaded patches are garbled on the M6 display.
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