Focusrite has introduced Red 16Line, a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. They say that, since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. The host mode can be simply changed either in the remote control software, or on the device front panel to change DAWs in seconds. Here's more details direct from Focusrite...
High-performance audio converters with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted) have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface. Red's ultra-low round trip latency completely transforms workflows. For those used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Mixes can be built on the DAW and used whether overdubbing (monitoring the input being recording with the Focusrite Control software mixer) or playing back, with all plug-ins in place, all the time.
Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp. With a dual-port Dante card, studios will be able to be expanded over Ethernet for more channels at higher sample rates, anywhere in the network, at lower latency and lower cost.