Rupert Lally and Espen J. Jörgensen, working under the name No Studio, have been collaborating for a number of years, their work together is an interesting one, being entirely remote - they have very rarely (if ever!) actually been in the same room together.
Even so, with Espen's background of film making and electronic music, Rupert's forte being in sound design, their collaboration has been fruitful with 11 releases to date.
As with much of their releases, Øde has an experimental, yet melodic quality to it, with slight hints of Ulrich Schnauss.
Lally is pretty detailed on what gear he used:
As we were going for a slightly vintage feel for the sound of this album, I mostly stuck to emulations of Springs, plates or rooms (using Native Instruments Reflektor) for any reverb effects. Sonic Charge's Permut8, SoundToys Tremulator and Native Instruments Traktor's 12 when more extreme processing was needed. I used Native Instruments Transient Master, D16 Frontier and Izotope Vinyl on the Master Channel for each of the tracks. The album was mixed and recorded on a pair of Genelec 8010As