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OK, the only thing missing is a built in sequencer. This box has it all, though. It's got mad knobs for tweakin out crazy sounds and changing them on the fly. 4 Megs naturally isn't good for sampler memory if you use a lotta loops, but it's more than enough for hits, stabs, and FX for a track or set. You can get any (non-fat) sound you want outta this thing, as the synth engine is really incredible for a rompler. You can even get some good analog wannabe voices if you work at it , but (damn those cold resonant filters), of course, it's a digital synth at heart. The pads evolve 'til your ears melt, strings are killer, and you can work some wicked sound effects. Effects on one part per performance? This is one thing about the machine that really ticks me off, cuz I like my delay. Sometimes I'll set the chorus on a performance to a delay effect, and adjust ChoSend's on each part to my liking, but if you're doin a serious recording that needs 'real' chorus supplements as well as multiple parts with delay, you gotta record the parts separately and layer, blah.
OH, lemme mention that you HAVE to get the AN150 analog expansion board (at least 1) if you're into dance production. The sounds are incredible, in fact it's essentially half a AN1x inside your CS6x. You can reel out faithful reproductions of TB's, Jupiter string pads, Moog basses, JX3P sweeps, you name it! Mm, and it's got a builtin analog sequencer!! The downside is that you must edit the sequenced bit/arp in the software editor and attach only one per voice. I haven't found an analog sound I can't get with this thing, and I'm thinkin about purchasing another, just so I have 2 live analog parts in a performance. Dammit! If only they made 12 part multitimbral boards, I MIGHT be satisfied...*sigh*.
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