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I was going to say "ignore the nay-sayers" but you know what? I don't want you to, I want this synth to remain a cult beauty. Lots of people fire it up, try a few presets, forget it doesn't have built in chorus (ala Juno instant pleasure) and write it off for being too harsh or not warm.
Please keep believing this and allow those of us who use them to make interesting and unique music to keep these beautifully made and sonically interesting synths to ourselves.
Serious time: This machine is mindblowing for the price you can get them. It easily competes with and betters almost every other DCO synth out there in many areas. The thing I adore about this synth is that it feels like MY unique sonic playground, everyone else can use Junos if they want to all sound the same, I'll stick with this.
I have had or still have many other synths including Polysix, JX's, Juno 60 (sold), D-50 etc and this is the mystery machine for me. I always come back to it when I'm looking for that unique and underused sound that is still distinctly analog for my music. It does space effects like nothing else, ambient tones and drones, killer basses, bells, and gritty pads. Hook it up to outboard effects before comparing to synths with built in sweetners (chorus) and you'll see what this can do!
It's also a very well built and professional feeling machine, packed with features and with 8 note polys you are in the 'bargain Jupiter 8' range with this synth compared to it's 6 note poly peers of the time. 2 Oscillators and SUB + PWM, 3 LFOs and even velocity, midi.... oh and probably the most unique and gorgeous display on an analog synth ever!
This machine will remain a cult forever as it never got used that much in the 80s compared to the over used Junos etc but I assure you, in a modern context, the AX80 is a whole new world of sound waiting to fit perfectly into a mix. Oh and yes it really does bed well into mixes without having to fight, it can cut through and punch or sit back and act shy but it always fits. Super clean output (no dated/noisy chorus), squealing CEM filters and nice set of performance features on the Mod wheel and with the data entry controller.
Aside from the super display, the proportions and general finish (especially on the gloss black wooden ends version) and the sloping back combined with black paint (with gold fleck) AND all the jacks/outputs in gold makes this a gorgeous machine for an upper tier on your stand.
It's not JUST about looks, don't believe such things, but boy does it look good. It sounds great too and is especially of interest to programmers and studio types who are looking for underused sounds and new analog worlds combined with reliability and ease of ownership of DCO analogs.
Ravers/tweakers should look at the Polysix (which also sounds great but is not as interesting as AX80) for better hands on control, synth lovers should look at this.
Or rather, shouldn't, because I want to buy more of them to keep safe.
My favourite analog synth under <$1000 and competes for my heart even amongst the big boys (Jupiter 8, Prophet 5 etc).
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